An extract from Samuel Beckett’s ‘Molloy’

To coincide with Faber’s reissue of three of his greatest works, we’ve named Samuel Beckett our Author of the Month for March. ​Molloy, the first of the three great novels Beckett produced during his ‘frenzy of writing’ in the late 1940s, follows the parallel narratives of Molloy, a sordid, bedridden vagrant, and Moran, a private detective sent in search of him. 

My mother never refused to see me, that is she never refused to receive me, for it was many a long day since she had seen anything at all. I shall try and speak calmly. We were so old, she and I, she had had me so young, that we were like a couple of old cronies, sexless, unrelated, with the same memories, the same rancours, the same expectations. She never called me son, fortunately, I couldn’t have borne it, but Dan, I don’t know why, my name is not Dan. Dan was my father’s name perhaps, yes, perhaps she took me for my father. I took her for my mother and she took me for my father. Dan, you remember the day I saved the swallow. Dan, you remember the day you buried the ring. I remembered, I remembered, I mean I knew more or less what she was talking about, and if I hadn’t always taken part personally in the scenes she evoked, it was just as if I had. I called her Mag, when I had to call her something. And I called her Mag because for me, without my knowing why, the letter g abolished the syllable Ma, and as it were spat on it, better than any other letter would have done. And at the same time I satisfied a deep and doubtless unacknowledged need, the need to have a Ma, that is a mother, and to proclaim it, audibly. For before you say mag you say ma, inevitably. And da, in my part of the world, means father. Besides for me the question did not arise, at the period I’m worming into now, I mean the question of whether to call her Ma, Mag or the Countess Caca, she having for countless years been as deaf as a post. I think she was quite incontinent, both of faeces and water, but a kind of prudishness made us avoid the subject when we met, and I could never be certain of it. In any case it can’t have amounted to much, a few niggardly wetted goat-droppings every two or three days. The room smelt of ammonia, oh not merely of ammonia, but of ammonia, ammonia. She knew it was me, by my smell. Her shrunken hairy old face lit up, she was happy to smell me. She jabbered away with a rattle of dentures and most of the time didn’t realize what she was saying. Anyone but myself would have been lost in this clattering gabble, which can only have stopped during her brief instants of unconsciousness. In any case I didn’t come to listen to her. I got into communication with her by knocking on her skull. One knock meant yes, two no, three I don’t know, four money, five goodbye. I was hard put to ram this code into her ruined and frantic understanding, but I did it, in the end. That she should confuse yes, no, I don’t know and goodbye, was all the same to me, I confused them myself. But that she should associate the four knocks with anything but money was something to be avoided at all costs. During the period of training therefore, at the same time as I administered the four knocks on her skull, I stuck a bank-note under her nose or in her mouth. In the innocence of my heart! For she seemed to have lost, if not absolutely all notion of mensuration, at least the faculty of counting beyond two. It was too far for her, yes, the distance was too great, from one to four. By the time she came to the fourth knock she imagined she was only at the second, the first two having been erased from her memory as completely as if they had never been felt, though I don’t quite see how something never felt can be erased from the memory, and yet it is a common occurrence. She must have thought I was saying no to her all the time, whereas nothing was further from my purpose. Enlightened by these considerations I looked for and finally found a more effective means of putting the idea of money into her head. This consisted in replacing the four knocks of my index-knuckle by one or more (according to my needs) thumps of the fist, on her skull. That she understood. In any case I didn’t come for money. I took her money, but I didn’t come for that. My mother. I don’t think too harshly of her. I know she did all she could not to have me, except of course the one thing, and if she never succeeded in getting me unstuck, it was that fate had earmarked me for less compassionate sewers. But it was well-meant and that’s enough for me. No, it is not enough for me, but I give her credit, though she is my mother, for what she tried to do for me. And I forgive her for having jostled me a little in the first months and spoiled the only endurable, just endurable, period of my enormous history. And I also give her credit for not having done it again, thanks to me, or for having stopped in time, when she did. And if ever I’m reduced to looking for a meaning to my life, you never can tell, it’s in that old mess I’ll stick my nose to begin with, the mess of that poor old uniparous whore and myself the last of my foul brood, neither man nor beast.

Extract taken from the new edition, published this month by Faber.