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From the publisher
“Parts of this book will remain with me, and pollute my reading of Hamlet and Ulysses, forever. I also add it to my personal library of Great Books About Dead Fathers.” Max Porter : Author of Grief is the Thing with Feathers
“McCabe’s invention never flags.” – David Collard, Literary Review
Chris McCabe playfully reclaims the inventive spirit of the founding text of Modernism; Ulysses. Tracing the same structure as the original, McCabe describes the events of the following day, 17th June 1904. Stephen Dedalus wakes up, hungover, with scores and debts to settle, unaware that Leopold Bloom is waking up in Eccles street with his own plans for him.
Dedalus is shot through with cut and paste disruptions from the Digital Age. From ’80s Text Adventure gaming to Google maps and pop-ups. McCabe picks up the tradition of Laurence Sterne and B.S. Johnson, underpinning the paragraphs of his storytelling with concrete poetry.
This novel is haunted (by Hamlet). This novel has a subconscious. This novel has therapy. This novel gives right of reply to Joyce’s self-portrait and questions the foundations of narrative storytelling. This truly is a hotly anticipated moment in Fiction.